Friday, January 21, 2022

TV's The West Wing at the Kennedy Center

[Full Disclosure: I am a recently-former employee of the Kennedy Center. Any opinions expressed in this piece are my own personal views and do not represent that of the Center, its management, or its staff.]


In the last 3 years, I have started watching The West Wing tv show. Very late to the bandwagon, I know, but I'm glad I jumped on! It's been a lot of fun, and a lot to relate to, having been part of an organization tied to the federal government. 

Much of the show was shot on a soundstage in LA, where they built an entire idealized West Wing set. However, they did shoot on-location around D.C. from time to time. In Season 2 Episode 9 "Galileo," the President attends a Reykjavik Symphony concert at the Kennedy Center! 

Similar to my 35/15 Photo Project around Colonial Williamsburg, I wanted to do a then-and-now photo post, comparing the on-location shots in 2000 to how they look in the present day. The pictures I show were taken throughout December 2021, even though this is posted in 2022. This was meant to be posted before I departed the Kennedy Center, but time got the best of me. Ah well, better late than never! Let's get started!

 

The West Wing, 2000

The Watergate, 2021

President Bartlet takes his motorcade from the White House to the Kennedy Center. In the establishing shot, we see the motorcade driving up the hill from Rock Creek Parkway as the camera pans from the Watergate Complex to the Center. In this first part of the shot and its present-day view, you can see not much has changed. The KC Service Entrance sign no longer present. New sign poles and security cameras have sprung up, while plants have been replaced with new ones. 



The West Wing, 2000

Kennedy Center, 2021

In the second part of the pan, we finally see the exterior of the Kennedy Center. You can see a bit more of it in 2000 from this vantage point. During 2001-2004, the Kennedy Center had its first expansion outside its original perimeter. Extra parking and plaza space was erected on each end of the Center, and the Front Plaza was reconfigured. 

The position of the building lights originally shot up from the ground. Now, they have been moved onto the underside of the eaves, shooting downward. Downward column lighting has also been added. The lights are rainbow-colored in 2021 in honor of the filming and broadcast of the 44th annual Kennedy Center Honors, mimicking the Honors medallion. They revert back to white light a little after the broadcast airs. It's a beautiful annual installation that was started in 2017.



The West Wing, 2000

Service Tunnel, 2021

The next shot is from inside the Service Tunnel, witnessing the motorcade approach as the service doors open. The service tunnel is still there, seemingly untouched during the Parking/Plaza expansion. The guard station present in 2000 on the righthand side of the shot no longer exists, but the concrete island and its protecting poles are still there. A new guard station is at the top of the service tunnel's driveway. The service doors are still there, still featuring windows that can be seen through (they were fully open when I was scouting my shots).



The West Wing, 2000

Service Tunnel, 2021

Further into the tunnel, we witness the motorcade enter the underground roadway while Secret Service stand at the ready. The tunnel now has an extra 21 years of wear and tear on it. It looks so empty in 2000. Part of the drive is now used to park large machinery and items. Also, there are now sprinklers! Hooray for fire safety!



The West Wing, 2000

Loading Dock, 2021

The presidential entourage of vehicles reaches its destination -- a loading dock in the belly of the Center. Joining the extra storage in 2021 is extra yellow safety paint and safety poles around a support column. That huge vent shaft on the left is still there, I hadn't ever noticed how humongous it gets to be.



The West Wing, 2000

Loading Dock Gate, 2021

Press Secretary C.J. Cregg greets the President at the loading dock. Hard to get an overall shot of much of the 2000 view, there is so much Secret Service movement. Where there was once a door on the right side of the 2000 shot, there is now machinery. The metal shelves look to be the same, albeit holding different objects.



The West Wing, 2000

Service Hallway and Freight Elevator, 2021

Here, the President and C.J. walk-and-talk directly from the loading dock onto a freight elevator. Again, much of the view in 2000 is blocked by Secret Service. There appears to be artwork on either side of the elevator's door in 2000. Now they are blank walls.



The West Wing, 2000

Freight Elevator, 2021

Through the magic of television, you are led to believe this freight elevator brings the President up to the Opera House. In reality, this particular elevator doesn't go anywhere near the Opera House, so it wouldn't be much help to him. The freight elevator looks very similar. There's a new switch panel on the left side, and the gate on the far side is now gray. Interesting the paint square on the cinderblocks isn't there in 2000. Wonder what its story is.



The West Wing, 2000

Opera House Box Tier, 2021

At last, we finally have arrived to the public areas of the Kennedy Center. The camera looks out onto the Grand Foyer from the Box Tier of the Opera House Lobby. Symphony audience members mill about.

Can I first of all note how odd it would be to have a symphony take place in the Opera House instead of the Concert Hall? Aesthetically, the Opera House and its Presidential Box are prettier than the Concert Hall's, which is probably why it was chosen for filming.

As I've noted in the past, the Grand Foyer has become very cluttered over the years, between the banners, bars, necessary accessibility ramps, and touring company merchandise stands. All ground space has been maxed out. No more indoor trees.

The Orrefors lights in the Opera House lobby now have an extra hanging light added on the Box Tier level. These extras are most likely from the two chandeliers that were taken down from each end of the Grand Foyer due to the Millennium Stages. Their addition is a lovely elaboration on what was already there.

Also added is the golden railing along the balcony. This was either added for safety, or for deterring guests from setting drinks/belongings along the top.

Hanging along the front of the balcony today are large posters displaying show images. These are part of If These Halls Could Talk, a temporary installation celebrating the Kennedy Center's 50th anniversary. They showcase momentous festivals and events that have taken place at the Center.



The West Wing, 2000

Opera House Box Tier, 2021

Here we have the President posing for photos with some people. Today, there is a raised pathway with stairs, ramps, and small seating areas.

Raised pathway around the Opera House Box Tier

Originally, you had to climb up a couple stairs to reach the Presidential Box. When the Americans with Disabilities Act was passed into law, the Kennedy Center started renovating each of its theaters one-by-one to be ADA compliant. During the Opera House's renovation in 2003-2004, its updates included adding this raised section. 



The West Wing, 2000

Presidential Box - Opera House, 2021

Now the President is in his box speaking with members of the Icelandic delegation as Deputy White House Communications Director Sam Seaborn looks on from outside. In the 2003-04 renovation, this box was slightly reconfigured. You can see here there is more wall space on either side of the far door. The chairs have also been changed out. The chairs pictured in 2000 are now reupholstered and placed in the small seating areas just outside the box.



The West Wing, 2000

Opera House Box Tier, 2021

The President leaves the box to talk with Sam. The raised platform makes another 2021 appearance. On the right side of the 2000 image is a statue of Poseidon. This statue now resides on the Opera House's Tier 1 balcony, one floor above its former location.



The West Wing, 2000

Opera House Presidential Seal, 2021

As the President reenters his box, the camera pans up to the Presidential Seal that hangs above the box's entryway. I don't have an exact photo of this for 2021. The wall seems to have changed since 2000, probably in the 2003-04 renovation. 



The West Wing, 2000

Opera House Lobby stairs, 2021

C.J. has to take a call during the show! Following her down the stairs is Charlie Young, Personal Aide to the President. In 2000, the artwork on the stairs behind C.J. is the show poster for the Reykjavik Symphony concert the President is attending. Copies of the poster pop up in other places throughout the Kennedy Center scenes. In 2021, in this poster's place is signage going over how guests can access digital programs of their show. Printed programs are no longer guaranteed at each show. This practice was changed during the building's 2020 shutdown to reduce possible touchpoints.

Other changes here include the signage for the Opera House, and a vent being added under the Box Tier balcony on the right.



The West Wing, 2000

Grand Foyer, 2021

Charlie continues to talk to C.J. as she tries to trek outside. Here we get a view of half of the Grand Foyer. You can see an accessibility ramp has been added, narrowing Grand Foyer floor space. There are also more handrails along the stairs with slight finishing differences.

It's interesting, we are right in front of the John F. Kennedy Memorial Bust at this point, but it isn't shown anywhere in the episode. This could be for a number of reasons, the biggest one I can guess at is respecting the memorial area. 

At the end of the hall is Millennium Stage! In 2000, you see its second façade iteration. This was composed of trompe l'oeil art painted onto tan curtains. In 2012, the stage was renovated to its current iteration featuring light towers and a large screen. 



The West Wing, 2000

Kennedy Center River Plaza, 2021 

C.J. has finally made it outside and is chatting on the phone.

I'll touch on more of this area in the following photo. Wanted to use this shot in particular to point out the pathways used to be made of marble. That's why there is this really nice sheen reflecting off of it in The West Wing. Since 2000, all the walkway marble has been traded out for a different stone. While beautiful, marble is very slippery when wet. The new stone is safer and keeps the layout pattern, but it doesn't share marble's luster.



The West Wing, 2000

Kennedy Center River Plaza, 2021

C.J. walks over to the balcony, chatting on the phone while the camera follows her from a distance.

First of all, can we talk about the beautiful cinematography TWW used in this shot? It's full on romantic-fantasy. C.J. in profile, silhouetted by the huge fountain blasts and framed by the willow trees? Gorgeous.

The River Plaza has really declined by degrees since 2000. The fountain doesn't light up anymore. It only shoots up water a fraction of its original height. The willow tree lighting is haphazardly focused, some lights shooting away from the trees. There are some raggedy willow trees (Raggedy is not used in reference to the trees' lack of leaves in 2021, that is due to it being winter, part of their natural seasonal cycle. Raggedy is in reference to some trees lacking any branches, only a trunk). The columns paint has been refreshed, but only to a point 6-8 feet high. The rest is a little faded. Even the stone pathways are showing weathering in places. With it being the 50th anniversary this year, I like to hope a lot of this would have been addressed if not for the pandemic and the budget issues that resulted from it.



The West Wing, 2000

Georgetown Waterfront from the Kennedy Center, 2021

Tad Whitney, spokesperson from the State Department, follows C.J. out to the balcony to ask her about why she didn't hire him to be her deputy spokesperson (awkward).

Not sure exactly where along the River Plaza this was taken, so my shot is a rough guestimation. Neither fence is a particularly elegant option -- 2000's chain and piping is very elementary, while 2021's looks bulky and reminds me of the fence around the raptor's pen in Jurassic Park



The West Wing, 2000

Hall of States Entrance, 2021

Following the performance, the audience streams out of the Kennedy Center.

The Front Plaza has been reconfigured, so to match the 2000's depth of field, I had to stand on the other side of a planter with trees in 2021.

Unobstructed view of Hall of States Entry, 2021

Audience members and taxis block out most of the details, but two details of note are still present. Originally, the Kennedy Center was surrounded on three sides by square marble planter boxes filled with little trees. One is seen in the 2000 shot on the left side. These have since been removed, although their design is alluded to in the squares that now stand in front of the building's pedestrian entrances. These were added for additional security protection from vehicular attacks.

The other detail of note is the banner hanging over the entryway. Love that it is advertising Millennium Stage. Would the Kennedy Center have hung a banner for one night? I like to think this had been left in place. Banners now use thicker material, so you can't see light and shadow through the banner. It is much easier to read nowadays.


And so the President and his staff return to the White House! Of course, there is much more to the story than what I am imparting. I definitely recommend you check out The West Wing series. It's currently available to stream on HBO Max.


Bonus: Driving to the Kennedy Center

The West Wing, 2000

Lincoln Memorial Circle NW, 2021

I moved this to a bonus, because there are THINGS to talk about. So before we get to the Kennedy Center, there is a shot of the presidential motorcade traveling down a winding road. There is not much to go off in this photo, except for the shape of the road and the statue on a pedestal. The statue is one of the two that bookend Arlington Memorial Bridge. So this shot is taken across the street from the Lincoln Memorial! Even though the shot pans by the memorial, the camera stays lowered to the road. Not that there would be much of a view of the memorial from where the camera was placed.

View of the Lincoln Memorial, blocked by trees

Again, it's strange they are shooting right by the memorial, yet not showing said memorial.

Another strange aspect is the actual path the motorcade takes to get to the Center. Much like Jack Ryan's commute in the first episode of his Amazon Prime TV series, the route doesn't seem to make the most sense.

Map Data: Google Earth
Star #1 - The West Wing of the White House
Star #2 - The Kennedy Center Service Tunnel Entrance
Orange Arrow - traveling shot

Here are the episode facts: We start at the White House. There is this shot where the motorcade travels northbound around Lincoln Memorial Circle. Then we end up at the Kennedy Center. 

In 2000, the only way you could travel northbound around Lincoln Memorial Circle would be to come from Arlington Memorial Bridge (The circle has since been modified and so now you can also travel there from 23rd Street SW). If they took the bridge, that also means they had to have come from Virginia. There are plenty of routes from the White House to the Kennedy Center that don't involve crossing state lines. There must have been a crazy detour.

To reach the Kennedy Center, they seem to hop from 23rd Street NW to Rock Creek Parkway. Not a really easy way to do this without doubling back or passing the Kennedy Center to achieve this route.

Then, they drive up the hill, from Rock Creek Parkway.

The West Wing, 2000 [Repeat]

However, in 2000, it would be impossible to drive up that hill from the Parkway.

Map Data: 1999 Image District of Columbia (DC GIS) via Google Earth
Kennedy Center/Watergate Intersections, 1999
Red Arrow: direction of motorcade
Orange Star: Service Tunnel Entrance

In 2000, you could turn off Rock Creek Parkway and into the C Level Parking Garage. From F Street and the parking garages, you can exit onto Rock Creek. But there is no way to travel from Rock Creek onto F Street and proceed up the hill. Unless they illegally travelled the wrong way down a road to get there. What a trip! 


So thanks for joining me on this time-traveling tour around the Kennedy Center! Things have generally stayed the same. While there have been changes made, the Kennedy Center and the locations The West Wing shot at in this episode are still very recognizable to this day.


The West Wing x Kennedy Center related articles:

Saturday, January 8, 2022

A.J.'s Top 10 Millennium Stage Shows

[Full Disclosure: I am a current employee of the Kennedy Center. Any opinions expressed in this piece are my own personal views and do not represent that of the Center, its management, or its staff.]

I've had the incredible privilege of getting paid to present and watch amazing performances. The fact that I can also share these exact performances with you is even better! As I look back on my six years at Millennium Stage, I want to highlight some of the shows that I have loved and have meant a lot to me. Artists, if your particular show is not here, please know this list was very hard for me to put together. I've helped present over 1,700 performances here, and I love so many of them.

In no particular order: 



Meena's Dream

This show stood out to me pretty early on in my tenure. Millennium Stage doesn't present theater often. Theatrical works are often longer than an hour, or require more production and setup than we can usually provide. Even though I was unfamiliar with much of the culture in the story, it was still easy to understand. The message is still very relatable, we all have to fight the Worry Machine.

Artist Link: Anu Yadav



Tim Mislock

For some reason, whenever I want to put on some music in the background while I'm working, this is my go-to. It's very calming and has an enjoyable, melancholy vibe. 

This show was also very synergetic in a way that isn't accessed often. Tim Mislock was part of the band in the national tour of Hedwig and the Angry Inch at the time, and performed this in-between his matinee and evening performances in the Eisenhower Theater. This seems like a no-brainer, invite visiting talent to perform for an hour on Millennium Stage, but this was the only occurrence during my tenure (the exception being the annual Alvin Ailey Dance Company's Revelations class)We regularly feature in-house groups, but it would be cool/interesting to see more touring talent.

Artist Link: Tim Mislock



BOOMscat 

BOOMscat! The Peace and Body Roll Duo themselves! One of my absolute favorite groups to work with. Both Asha and Patience are wonderful, genuine people, and have great chemistry and banter together. Their songs are so interesting and catchy. They also have a great band name that is so much fun to announce.

Artist Link: BOOMscat



Merry TubaChristmas

When I first heard of it, it sounded utterly absurd. Tuba...Christmas? Since then, I have fallen in love with TubaChristmas and have added it into my holiday traditions. There are tubas, sousaphones, euphoniums everywhere, filling the stage, overflowing into the tiers, beautifully decorated in their holiday finest. The performance is this deep, resonating surround-sound that fills your entire body. It's quite an experience.

The event was originally conceived by Harvey Phillips in 1974 to shine a light and celebrate this under-appreciated large brass family. After 48 years, it has helped create a players community and given the tuba family a moment to shine in the spotlight.

It's so zany. I love it.

Artist Link: TUBACHRISTMAS



Solomon Howard "The Grinch Song"

Soloman Howard. That's all.

I've been lucky to see him perform on quite a few occasions. 2015's Appomattox, 2016's Ring Cycle, 2017 in a surprise-appearance performance with BANDALOOP and FLEXN during the JFK Centennial Open House Celebration, and 2019 during the REACH Opening Festival. His bass voice is unbelievable, booming, and beautiful. What a presence. And his speaking voice is right there too!

This clip is not a full show, nor is it a show during my tenure. However, once I viewed it, I knew it was instantly one of my favorites.

Artist Link: Soloman Howard



Gamer Symphony Orchestra

This show was a culmination moment. A lot of passionate people worked towards bringing shows to the Center that showcased the intersection between arts and gaming. They have all since departed for other endeavors. Hopefully, this intersection can be approached again in the future. There is really something exciting there.

I say this with full love and appreciation: we have some amazing dorks in our stagehand cadre, and they took full advantage of the moment in terms of the lighting. Imitating Tetris on the light towers was amazing. My own dorky heart was thrilled to the brim that day.

This show was also part of the annual Direct Current festival. The festival highlighted new, exploratory, contemporary arts and artists. The Millennium Stage threw out all the stops in the artists presented. It's an absolute trip of the strange and exciting. Any show that was part of the festival, I highly recommend checking out.




Kids Opera Company

This show blew my mind. A 3rd grade class from Stedwick Elementary School wrote, composed, built, rehearsed, and performed their own opera. Their teacher, Mary Ruth McGinn, uses the opera creation as "a vehicle for learning everything that all third graders must learn." Every subject can be worked in. It's phenomenal. I would have loved to have been taught this way in school. 

We had the honor of presenting 2-3 iterations of the kids opera company over my tenure. While we only get to see the final product, it's still an inspiring experience loading in the show and adapting it onto our stage. Students get to shadow our stagehands and learn how professionals create live performances. Everyone is so gung-ho, welcoming, and amazing. It's exciting to have a front row seat in impacting and inspiring the next generation of arts makers and lovers. And it all comes with a meaningful message.




A Drag Salute to Divas and Devos

What a show. The Kennedy Center has presented musicals that feature the art of drag, like Kinky Boots and La Cage Aux Folles. This was really its first authentic drag show, exclusively focused on the art of drag, so it meant a lot to everyone involved. It featured drag queens and kings from the local DC scene. Hosted and organized by D.C. drag legend Shi-Queeta Lee, Shi-Queeta has been performing in drag since the mid-1980's and was the first drag queen to be invited to perform at the White House. This show also showcases Riley Knoxx, one of the best Beyoncé impersonators around. She has since gone on to have an exciting career, including appearing in Taylor Swift's "You Need to Calm Down" music video.

Millennium Stage is really unique. Because we aren't worried about selling tickets, we can spotlight untraditional performance genres. We can present shows that other venues might turn away because its appeal is unproven, or deemed to be unpopular. Millennium Stage can truly be a celebration of everyone, for everyone. I'm glad the Kennedy Center has this program. It needs this sort of program.

Since this performance, Millennium Stage has presented at least one drag show a year (2020 being the exception).  Drag is becoming more and more mainstream, and its exciting to watch its rise to power. 

Artist Link: Shi-Queeta Lee (and a news article)
Artist Link: Riley Knoxx



Top Notch

Top Notch is our annual b-boy and b-girl battle tournament we present in collaboration with Words Beats and Life Inc. The physical talent and artistry on display is so amazing. The video above is just of the finals, the preliminaries and other levels make it an all-day event.

This annual event makes my list for many personal reasons. When I first started interning at the Kennedy Center, I really hadn't had much exposure to Hip Hop. I grew up in a white suburban bubble, and never tried to look into the art form. I thought Hip Hop was only a dance style, and rapping was its own separate thing. This show and the events we presented alongside it in the WBLFest really opened my eyes to what Hip Hop is. Rapping and dancing are only parts of a larger-encompassing culture. The Kennedy Center Education Department has a great guide to Hip Hop Culture, I recommend you check it out.

Another reason. Top Notch always had a lot of moving parts, so it had lots of stressful moments. One year, I was definitely feeling it. I made one mistake that triggered a major downward emotional spiral in me. Looking back, the mistake wasn't a big deal, it was just the straw that broke the camel's back. The next year, there was a lot of staff turnover. My new supervisor had just started and was learning the ropes. I really needed to step up for this festival. And I did. I walked away feeling like I redeemed myself from the previous year. I felt like I was finally starting to ride the bicycle of my job without the training wheels. It was a great feeling.

Like drag, Hip Hop Culture was initially brought to the Kennedy Center through Millennium Stage. It is truly a success story, having become its own established genre with an exclusive programming director (Shout out to Simone Eccleston!!). I'm so proud of the work that has brought it here, and excited for what the future holds for it.




Sesame Street Singalong

For many years, Millennium Stage held an Honors tribute week ahead of the Kennedy Center Honors performance gala. In 2019, Sesame Street was honored, and so we had a tribute singalong show! It was really sweet, brought back memories of really great songs I had heard and sang in my childhood. The show also had actual appearances from Abby Cadabby and Cookie Monster! I was freaking out. My childhood, alive on my stage. (Well, Abby was after my time, but I was at least aware of her addition. I digress.)

I consider my announcement to this performance the peak of my Kennedy Center career. I got to be rolled out in a trash can and pop out wearing an Oscar the Grouch onesie. The idea was all mine. It was so much fun, honoring Sesame Street in my own way. And who else can say they did something this cool at a National Cultural Center?

In the agreement with Sesame Street, the Kennedy Center was allowed to livestream the show, but had to remove it once the performance was over. Which is all fine, Sesame Street is protecting their intellectual property. However, I later asked and was granted permission to post my announcement of that show, and can luckily share it with you!:


Thanks a million to Sesame Street Workshop and the Kennedy Center for permission to share this portion of the December 7, 2019 Millennium Stage "Honors Week Tribute: Sesame Street Singalong"!



Well, that's the 10! Because I couldn't bear to not include these, here are the honorable mentions:

Embrace Humanity
Artist Link: Mana
Artist Link: Amal Kassir
Artist Link: Omar Offendum
(Amazing, heartfelt stories)


Dhaka Brakha
(artist link)
(those hats! Also, awesome unique sound with great harmonies)


Deborah Bond


Sweet Heaven Kings


Tag, Rag, and Bobtail
(This one was a show I personally programmed, marrying my previous job at Colonial Williamsburg with my current one at the KC.)


Tamagawa University Dance and Taiko Group
(university link)


We are so lucky to have Millennium Stage at the Kennedy Center. It is taken for granted by its free entry, its regularity, its size. But I truly think it is the heart and soul of what a national cultural center should be – showcasing the creativity, the diversity, the passion, the artistry, the humanity of the world, in a space that doesn’t discriminate race, class, or accessibility. It’s open to all, for all, by all. For anyone who hasn't checked out Millennium Stage, you are truly missing out.

I've really loved this stage. It's opened up my worldview and has showed me so much of the beauty of the human spirit. It's going to be hard to find a job that tops this.




Bonus KC Non-Millennium Stage Videos I've Enjoyed:
Dancers Rappel off Roof of The Kennedy Center - BANDALOOP (BANDALOOP is amazing. This was a segment of their show during the JFK Centennial Open House Celebration)
"The King and I" visits the Kennedy Center! (really good specialized ad specifically made for and by the Kennedy Center. Wish they did more of these!)
Now More Than Ever: A Film by Ezra Hurwitz (beautiful cinematography, beautiful dancing, beautiful dancers, beautiful locations)


Thanks to Diana Ezerins, Garth Ross, Bobby Hunter, Allen Brooks, Margot Pien, and Risikat Okedeyi. These individuals collaborated, influenced, relationship-cultivated, and/or programmed nearly all of the shows on this list.